Don’t miss the weekly staff picks over at the Paris Review. Lorin Stein recommends Brenda Shaughnessy’s soulful and stripped down So Much Synth, Jeffery Gleaves praises “mother writer” Rivka Galchen’s Little Labors, and Caitlin Youngquist writes of Bernadette Mayer’s Works and Days, “Hardly any of Mayer’s days are spectacular, but her eye is so keenly attuned to all that surrounds her that nearly everything feels touched with grandeur.”