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“I think of my portraits as a cultural intervention – “before” pictures lovingly drawn and painted, meditative descriptions of specific bodies that need no correction. The time and attention to detail inherent in the portrait process make the intrinsic statement that this body is beautiful and worthy.”

—An excerpt of artist Clarity Haynes’ statement about “The Breast Project.” She has painted more than 500 breast portraits. (NSFW!) (via)

Read this story “It” by Michael Copperman, and his accompanying essay “Race, Authenticity, Culpability” at COIN. (via)

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LaToya Jordan is a writer from Brooklyn, New York. She is the author of the poetry chapbook, Thick-Skinned Sugar (Finishing Line Press, 2015) and her work has been listed as notable in Best American Essays 2016. Her writing has appeared in Mobius: The Journal of Social Change, Mom Egg Review, Poets & Writers, The Rumpus, and more. Visit her at latoyajordan.com.

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The Rumpus publishes original fiction, poetry, literary humor writing, comics, essays, book reviews, and interviews with authors and artists of all kinds. Our mostly volunteer-run magazine strives to be a platform for risk-taking voices and writing that might not find a home elsewhere. We lift up new voices alongside those of more established writers our readers may already know and love. We want to bring new perspectives into the conversation that will make us all look deeper.

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