The Music of Occupy Wall Street

“It’s new for many observers, on the left and the right, to grasp how a movement might unfold without a clear agenda, set of leaders — or even one anthem. Many people find the non-hierarchical structure of Occupy Wall Street frustrating. Among the presumptions it overturns is the one that leads us to expect and emblematic musical performance: that new Dylan or Baez or Mahalia Jackson lifting every voice toward song.”

At NPR, Ann Powers on what sort of music scene is unfolding down on Wall Street.

How’s that for a sentence you never thought you’d hear?

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Seth Fischer’s writing has twice been listed as notable in The Best American Essays and has been nominated for The Pushcart Prize by several publications, including Guernica. He was the founding Sunday editor at The Rumpus and is the current nonfiction editor at The Nervous Breakdown. He is a Dornsife PhD Fellow at USC and been awarded fellowships and residencies by Ucross, Lambda Literary, Jentel, Ragdale, and elsewhere, and he teaches at the UCLA-Extension Writer’s Program and Antioch University, where he received his MFA.

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The Rumpus publishes original fiction, poetry, literary humor writing, comics, essays, book reviews, and interviews with authors and artists of all kinds. Our mostly volunteer-run magazine strives to be a platform for risk-taking voices and writing that might not find a home elsewhere. We lift up new voices alongside those of more established writers our readers may already know and love. We want to bring new perspectives into the conversation that will make us all look deeper.

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