Choire Sicha writes about reading Twitter as a text, and the strange access it gives us to the once private “sexy back rooms” of “high-end” cultural institutions.
“Biesenbach has made his name as an exceptionally gifted cultural truffle hound—he’s not so much a journalistic beat, on the Moby model, as an institutional network unto himself. As a result, there’s something uncomfortable about seeing his thoughts and communications exposed on Twitter.”
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