Making Sense of the “Floating Cultural Stew”

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Over at the L.A. Times, David Ulin argues that the art of the contemporary essay is “in a renaissance.”

He praises the recent essay collections of Tom Bissell and Mark Dery, adding them to the ranks of books like Jonathan Lethem’s The Ecstasy of Influence, Geoff Dyer’s Otherwise Known as the Human Condition, Dubravka Ugresic’s Karaoke Culture, Jonathan Franzen’s Farther Away, and John Jeremiah Sullivan’s Pulphead, all of which walk “an exhilarating tightrope between the personal and the critical, their most fundamental inquiries those the authors make about themselves.”


You can find Charley Locke's journalism on WIRED, tweets @CHARLEY_LOCKE, and drawings on her parents' fridge. You can also sometimes spot Charley imperiously making book recommendations while managing the McSweeney's Pop-Up Shops. More from this author →