All class is a privilege, even the lowliest have a vernacular that is all their own that they use to keep people in and keep people out. I like to use a lot of vernaculars next to each other in awkward ways because we all deal with the filters of the larger culture which is always trying to decide if you know what you’re doing.
Trop interviews badass poet Eileen Myles about language, queerness, and interrogating the term “badass.”
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