Recording artist Moby writes over at The Guardian about why he needed to leave New York and come to Los Angeles for his art. Los Angles gave him the room and the freedom to fail.
“Plenty of other cities in the United States and abroad are, of course, interesting and beautiful, but I moved to LA due to its singular pre-apocalyptic strangeness. It seems equally baffled and baffling, with urban and suburban and wilderness existing in fantastic chaos just inches away from one another. There’s no center to L.A, and in many ways it’s kind of a fantastically confused Petri dish of an anti-city. If you’re in New York, Brussels, London or Milan, you’re surrounded by a world that has been subdued and overseen by humans for centuries, sometimes for millennia. They’re stable cities; and when you’re in an older city you feel a sense of safety, as if you’re in a city that’s been, and being, well looked after. You feel like most well-established and conventional cities know what they’re doing. LA, on the other hand, is constantly changing and always seemingly an inch away from some sort of benign collapse.”
