At The Millions, Michael Bourne writes about the stunning success of poet Tess Taylor’s debut collection, The Forage House, and technology’s hand in making it happen:
When writers talk about literature in the digital age, they tend to lay out one nightmare scenario after another: books losing value as they migrate onto screens, publishing houses shedding jobs, readers snuggling up with cable shows on their iPads rather than books.
But here is a case in which an energetic, media-savvy poet has used the gigantic megaphone of digital media not only to draw attention to her work, but help fill a gaping hole in the historical record that dates back to the early days of our republic. None of it would have happened in an analog era, not this quickly for a little-known poet in the early stages of her career.
