Disappearing Act

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Invisibility has a long literary history, from science fiction, like in H.G. Wells’s Invisible Man, to fantasy, like in J.R.R. Tolkien’s Lord of the Rings. Often, the difference is between methodology and motive. Wells focused on scientific accuracy to illustrate “the messy outcome of this collision between science and myth.” Tolkien employs invisibility as metaphor; the magic behind it is unimportant. Philip Ball explains further in the Guardian:

Fairytale invisibility is often an agency of seduction and voyeurism (see the Grimms’ The Twelve Dancing Princesses), or a gateway to Faerie and other liminal realms. It’s precisely because children don’t ask “How is that possible?” that we shouldn’t fret about filling their heads with such allegedly irrational ideas.


Ian MacAllen's fiction has appeared in 45th Parallel Magazine, Little Fiction, Vol 1. Brooklyn, Joyland Magazine, and elsewhere and nonfiction has appeared in Chicago Review of Books, The Negatives, Electric Literature, Fiction Advocate, and elsewhere. He is the Deputy Editor of The Rumpus, holds an MA in English from Rutgers University, tweets @IanMacAllen and is online at IanMacAllen.com. More from this author →