The Eager

We were then young girls and our want was written on our skins. Between our legs and along our necks and wrists, our skin craved friction and more friction. We kissed calluses into the backs of our hands, murmuring comfort at the enflamed flesh, but still, our skin would not be satisfied. In the dark, we rubbed pillows against stinging nipples and curled knee to chin, hoping to keep the skin from flying from our bodies. Stay with me, we said. In the mornings, we woke to puddles of wet sugar in our beds and wrung moisture from our underwear.

*

We didn’t know then that the skin was unraveling already. By the time we realized, it hung loose and ethereal, trailing after us as a veil. Afraid our nails might tear the delicate tissue far worse, we pulled it back on as best we could, hiking it up our legs and over our torsos, clamping it beneath our armpits. Attempts to secure it with barrettes and ribbon failed. The skin would not come back together; it would not be mended. We covered new flesh, hiding steaming breast and sinew, though little wisps of want kept escaping from beneath the hems of our skirts. We could not stop it. On Sundays, we kept the moans behind our teeth and our tongues tasted bread. On our knees, we wondered how to accept His flesh, if not our own.

*

To our parents, we became like voracious animals, eager prey to Buntis, that fiendish possessor of young girls. Buntis takes them, our parents said, these girls. These eager girls. Taken and their legs parted, their bellies palpated. Paraded through streets, intricate letter B’s woven onto their chests. We would know the fallen by their linea nigra, a line that could be traced from their pelvises to their breasts, evidence of the shame Buntis brought them. And when it was time, our parents said, Buntis would unzip these would-be-monsters from the inside out. We accepted their stories without question, afraid inquiry might draw attention to what we could no longer hide—our skin was unzipping itself.

*

But even the fear of Buntis could not keep our want silent. We whispered behind closed doors and in our inventiveness repurposed everyday objects into talismans: douches, plastic wrap, party balloons, Coke bottles for shaking into makeshift spermicide. And inevitably, rollercoasters to churn our wombs, herbs to coax cramps from our sides. And then there were always rocks to sit on. Stairs to fall down. Hangers to swing from. On the nights we are at our most monstrous, we play at rape, the act we thought took choice and blame from us. We sit cross-legged on the floor taking turns kissing ruled paper, leaving signatures of our want on the lines, openmouthed kisses in gloss and matte lipsticks that yawn like empty pink circles just waiting to be filled. “I’m afraid I might like it,” she says between kisses. Her skin is almost entirely off now. She doesn’t bother hiding. “I’m afraid I would need to pretend to be scared.” And maybe we would. Like it. Being held down and filled. The friction sawing us apart.

*

I sit on the lid of the toilet listening to her bathe. The lights are off at her request, and like the thin shower curtain separating us, the darkness hides nothing. “Did you say no?” My tentative question lingers in the warm air when her light splashing stops. “Did I no him?” Her voice is soft, yet easy to hear in the echoing confines of our small confessional. “I knew him. If that’s what you mean. Or thought I did.” She lifts herself from the tub and pulling on her robe, hesitates, then sits back in the water. Taps on again, steam rises in great whorls away from her, the fabric of her robe clinging and tangling, almost translucent against her body. We always assumed our eagerness would be yes enough, and because we are wrong, any act of contrition on our part seems impossible. We should have held onto our skins more tightly. Should have stitched ourselves together with needle and thread. Instead, we wonder what was ever such the hurry.

***

Rumpus original art by Erech Overaker.

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One response

  1. Hot damn. That’s an amazing essay! I’ve always been interested in the body not necessarily in an anatomy sort of way (though they way bodies work is fascinating), but conceiving of it as a host of sorts, that the body is where the multitude of social constructions relating to gender and sexuality and race and, well, any facet of our identities all intersect. The body holds who we are, and, what I took away from your essay is that at times we don’t know what to do with these bodies that we have. You have some great imagery here that really makes me think about the skin and what part it plays in my own constructions of who I am. I remember times in my life (both recent and past) that I’ve wanted to just shed this body, shake of my skin and camp out in my brain, because that, in some way, feels like it would be easier to do than to figure out what to do with this body I am forced to lug around everywhere with me.

    The image of skin unraveling is perfect. Your words led me to a place in which I can see how that unraveling is also a sort of unfurling. We are in the world, trying to figure out what to do with ourselves and these bodies. Fill them up or peel them away? The answer to that shifts between years and levels of maturity and gained knowledge about ourselves and our bodies. While that might sound sort of poetic, the image and concept of putting yourself out there and dealing with the fact that you have a body can be terrifying. The way I see it is that when we open ourselves up to others—when we unravel our skin because we don’t know what else to do with it—we push ourselves into a space of vulnerability. Yup, that can be scary. But that can be powerful too, like what you have done here—revealing this essay and these parts of yourself to strangers, to readers so they can look at you to see how it is they can look at themselves. Like I said, hot damn.

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