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At Melville House, Liam O’Brien delves into the fictional and factual history of book-writing computers, from Roald Dahl’s “The Great Automatic Grammatizator” to the Russian computer that rewrote Anna Karenina in the style of Murakami. With some media outlets already using bots to pen articles, he wonders if the robots will be coming for literature next.


Claire Burgess’s short fiction has appeared in Third Coast, Hunger Mountain, and PANK online, among others. Her stories have received special mentions in the Pushcart Prize and Best American anthologies, but haven’t actually made it into one yet. She’s a graduate of the Vanderbilt University MFA program, where she co-founded Nashville Review. She lives in Pittsburgh by way of the deep South and says things on Twitter @Clairabou_. More from this author →