Writing After 40


If the lists are to be believed, the only good new writers are under 40. It’s not just Buzzfeed, but also the New Yorker, Granta, and others who publish lists of great new—and young—authors. Joanna Walsh takes issue with this trend over at the Guardian:

Sometimes the literary bitcoin is just life: some people have more to say aged 50, than at 30; for others it’s the opposite. But what about the writers who are slowed down because they have to do a day job? What about the authors (mainly women) whose writing time is interrupted for long periods by care for children, or relatives? What about those writers who take years unshackling themselves from backgrounds that make writing seem an impossible dream? Creative writing degrees offer one way for younger writers to start taking their work seriously, but few over-40s had access to these, and even today many must think twice, or more, about the debt required to embark on them.

Ian MacAllen is the author of Red Sauce: How Italian Food Became American (Rowman & Littlefield, April 2022). His writing has appeared in Chicago Review of Books, Southern Review of Books, The Offing, 45th Parallel Magazine, Little Fiction, Vol 1. Brooklyn, and elsewhere. He tweets @IanMacAllen and is online at IanMacAllen.com. More from this author →