Good Writing and Bad Surveillance

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The idea of “good writing” is shaped by social forces—that are in turn shaped by economic and historical forces—and our own identity privileges and privileges as editors (if we are editors). Determining what is good or bad is an aesthetic choice that requires the exercising of power. People who traditionally hold power in our society are white and male.

Melody Nixon of Apogee Journal discusses surveillance and writing with The Hairpin.


Lyz's writing has been published in the New York Times Motherlode, Jezebel, Aeon, Pacific Standard, and others. Her book on midwestern churches is forthcoming from Indiana University Press. She has her MFA from Lesley and skulks about on Twitter @lyzl. Lyz is a member of The Rumpus Advisory Board and a full-time staff writer for the Columbia Journalism Review. More from this author →