What I’m talking about instead are the ways in which chapters are not merely components of a narrative’s foundational architecture but also part of its aesthetic, i.e., more like those imposing Ionic columns that both hold up the facade and immensely add to the overall quality of the building.
Over at The Millions, Jonathan Russell Clark considers how the different ways of dividing a novel into chapters can be an essential element for liking (or not liking) a book.
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