The future of the Warburg Institute, one of London’s most influential and strangest libraries, is examined at length in this week’s New Yorker. Adam Gopnik covers the history of the center, from its founding in pre-Nazi Germany through the height of its influence on the world of art history, and attempts to articulate the particular properties of Warburg, the philosophy and aesthetics and modes of scholarship, that make it unique. After a recent victory in court granted Warburg a reprieve from being swallowed by the University of London, Gopnik seems hopeful that the library will adapt to a new century and preserve what advocate Brooke Palmieri describes as its signature investment in “the methodology of serendipity.”
Input your search keywords and press Enter.
The Rumpus needs your help. We need to raise $25,000 $3,100 to fill our funding gap for 2024.
Our home base is Asheville, NC and Hurricane Helene severely impacted our ability to host events, launch new initiatives, and caused other significant financial setbacks this fall.
Can you support us at any level by Dec. 31? Every dollar counts and is a sign that our readers collectively value creative labor and independent publishing.
Sign up for the weekly Rumpus
Once a week, we'll send you a roundup of what's new on the magazine, invites to upcoming events, open calls for submissions, and more!