Every once in a while over a period of a few weeks or more I compile some objectives for poetry in the form of a list, something I call one-sentence lectures. Sometimes the list reflects what I wish I were writing, and other times what I wish I were reading.
I call my list “The New Poem” and typically it’ll detail my hope and sometimes even despair of poetry’s possibility. I suppose I write the list to tune out the noise and to reconnect to what I feel are some, but certainly not all, of the necessities of the task of writing poems, including considering poetry’s adequacies and inadequacies, its anguish and limits, its comic and tragic natures.
Here are 33 lectures on poetry. Please, I invite you, feel free to add your own one-sentence lectures about the future of the new poem in the comments section below.
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The new poem will be a snapshot of eternity.
The new poem will be tethered to the minute.
The new poem will understand that the future will renounce it.
The new poem’s joys will be a result of recalibrating the past.
The new poem’s disappointments will be a result of expecting too much from the present.
The new poem will be a recognition of our wretchedness.
The new poem will be a recognition of our gratitude.
The new poem’s purification will be imaginary.
The new poem will be loved by readers who share the poet’s happiness and unhappiness.
The new poem will be loved less than other poems.
The new poem will be a sign of desire because without desire the new poem can’t include the imaginary.
The new poem will be a parade of the naked.
The new poem will be casually mortal.
The new poem will be a bell for those who come and those who do not come.
The new poem will be given to others to empty their lives into it or not.
The new poem will never leave its reader to face the perils alone.
The new poem will be both God and the devil.
The new poem will contemplate our limitations as the height of existence.
The new poem will embrace its readers as after a long absence.
The new poem will be an affliction to make us feel the possible.
The new poem will contradict the new poem.
The new poem’s affirmations will stand before a row of tanks.
The new poem will endure affliction as an illusion.
The new poem will dwell in names and in silence.
The new poem will fill the body of the imagination with sin.
The new poem will accept the death of the new poem.
The new poem will be punished.
The new poem will taste humiliation.
The new poem will offer forgiveness.
The new poem will know whether hunger is imaginary or real.
The new poem will not wish to change beauty.
The new poem will be a celebration of the success of language.
The new poem will solve life with life.
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The new poem will be read or not read.
The new poem will be crossed out and rewritten.
The new poem is full of extra things better left out.
The new poem will be a hybrid of the wild and the tired.
The new poem will explore the complex soul
that animates each human character.
The new poem will stand up, even when they tell it to sit down.
The new poem will strive to be the voice that invokes change.
The new poem will live in solitude for years, waiting for the right time to be discovered.
thenewpoemwon’tknowit’sthenewpoemnorwillitcare
The new poem will be a butterfly’s maiden flight.
The new poem will be spirit clothed in ragged words.
The new poem will not increase productivity.
The new poem will be slow.
The new poem will not be televised.
The new poem will wind up trapped in some weird corner of the internet’s ever expanding abyss.
The new poem will be written by the people. The new poem will be spread like contagion, but it will make people well, not ill. The new poem’s huge letters will be legible and accessible to all and the new poem will never cause anyone to say, “Meet the new poem, same as the old poem.”
The new poem will marry a new poem and they will have many new poems who’ll populate the earth with newness.
the new poem hums in the hard heat of complexity, and playful like a tan-line.
The new poem is an addiction who turns old but never lets go
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