All Over Coffee, The Eviction Series #5: Naked City





“It’s so cold,” the blond, pear-shaped girl said. She was dressed in a black tank top and yoga pants stretched so tight I could see through to her panties—white, patterned with little red skulls.

It was 5 a.m. and the first hint of daylight was blooming on the horizon. I’d been here since 7 the evening before, in response to an ad for a two-bedroom, and was, as far as I could tell, 83rd in line.

The guy in front of me had set up a pup tent, which I was jealous of, not just because he’d had the forethought to make his wait comfortable, but because around midnight he’d sold it for eight hundred thousand to a kid in a beard and snow hat. He told the kid, “Listen, you know you’re just going to have to take this thing down in a day?” To which the kid shrugged and said, “It’s still a great deal. By then I’ll have sold my company.” So the transaction went down and the pup tent guy moved on.

I laughed at the absurdity of it all and the pear-shaped girl behind me scoffed. I turned to see her sneering into her phone. “Just this idiot in front of me,” she was saying. “When are people going to learn that history hates haters?”

Now it was dawn and the girl was complaining that someone should design an app to stop San Francisco summers from being cold, and the pup tent guy was back. He walked up to the bearded kid and began counting out a stack of hundreds. “3300 a minute rent, right?” And the beard nodded. Then the original owner climbed back into the tent he’d sold just five hours earlier.

“Oh great,” the girl behind me said. “Now look. The fog is blowing in.” And I turned to see a dark mass moving across the sky.

“That’s not fog,” someone called out. And sure enough, as it got closer, I realized the cloud wasn’t the cool mist San Francisco was famous for, but a swarm of digital code. It fell upon the crowd and someone screamed, “It’s a swarm of investment capital from China!” Another voice cried out, “No, it’s Canadian!” And suddenly everyone’s clothes began disintegrating, as if we hadn’t been wearing actual fabric but body paint that was now washing off in the rain. Completely naked, people began running in all directions.

“Sweet,” I said. “Now I can move to the head of the line.”

“Line?” The pup tent guy said. “Did you think you were here waiting to see an apartment?” And before I could reply he pulled out a sharpie and drew an outline around my bare feet. “This spot here,” he said, holding out his hand. “A hundred bucks a second.”


GO HERE to view all the pieces in this series in chronological order.

Paul Madonna is the creator of the series All Over Coffee (San Francisco Chronicle 2004-2015), and the author of three books, All Over Coffee (City Lights 2007), Everything is its own reward (City Lights 2011), which won the 2011 NCBR Recognition Award for Best Book, and Close Enough for the Angels, his first full-length, illustrated novel. His drawings and stories have appeared in numerous international books and journals, as well as galleries and museums, including the San Francisco Contemporary Jewish Museum and the Oakland Museum of California. He was the founding Comics Editor for, has taught drawing at the University of San Francisco, and frequently lectures on creative practice, even when not asked. He holds a BFA from Carnegie Mellon University, and was the first (ever!) Art Intern at MAD Magazine (1993-94), for which he proudly received no money. Find more at More from this author →