Integrating Your Experiments


For Electric Literature, novelist Noy Holland explores what it means to label (and often dismiss) writing as “experimental.” Holland notes the subjectivity and mess inherent in language and form, and why writing that aims for clarity might sacrifice authenticity in the process:

Experimental fiction. How can we keep calling it this? Imagine somebody saying to you, Let’s experiment with being in love. Let’s experiment with building a bridge. The term is absurdly provisional. It is a flimsy sack into which a thousand unlike things have been thrown.

Michelle Vider is a writer based in Philadelphia. Her work has appeared/is forthcoming in The Toast, Lady Churchill’s Rosebud Wristlet, Atlas and Alice, Baldhip Magazine, and others. Find her at or @meanchelled. More from this author →