Talking Pity

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After I wrote Pity, I assumed only women would read it and men would mock even the idea of it. I think this lazy premonition was a result of receiving feedback years prior from a male editor that told me my first chapbook was immature and superfluous, simply because it was about female friendship.

Over at Hobart, Elizabeth Ellen has a conversation with Chelsea Hodson about life, writing, and Hodson’s chapbook Pity the Animal.


Guia Cortassa was born, lives, and works in Milan, Italy. After working as a Contemporary Art curator, she went back to writing. She is a contributing editor for Ondarock and her writing has appeared on Rivista Studio, Flair and the Quietus. She compulsively tweets @gcmorvern. More from this author →