Cards of Literature, Future and Past

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Over at the New Yorker, Peter Bebergal considers the presence of the tarot in literature in light of Jessa Crispin’s newly published book, The Creative Tarot: A Modern Guide to an Inspired Life.

Guia Cortassa was born, lives, and works in Milan, Italy. After working as a Contemporary Art curator, she went back to writing. She is a contributing editor for Ondarock and her writing has appeared on Rivista Studio, Flair and the Quietus. She compulsively tweets @gcmorvern. More from this author →