Cards of Literature, Future and Past


Over at the New Yorker, Peter Bebergal considers the presence of the tarot in literature in light of Jessa Crispin’s newly published book, The Creative Tarot: A Modern Guide to an Inspired Life.

Guia Cortassa was born, lives, and works in Milan, Italy. After working as a Contemporary Art curator, she went back to writing. She is a contributing editor for Ondarock and her writing has appeared on Rivista Studio, Flair and the Quietus. She compulsively tweets @gcmorvern. More from this author →