Writing to Live


Nigerian author Ben Okri reflected on his prize-winning novel, The Famished Road (1991), in the Guardian, saying that he wrote it to find reasons to live. The book, he writes, drew heavily from strange stories his mother told him and his father’s intrinsically African philosophies:

The novel was drawn from a half-glimpsed world, and it was fading fast from reality. In that sense the novel is a sort of elegy. Not the things we saw, but the things in between—the myths in between, the tone in between—were the key to its mysteries.

Kelly Lynn Thomas reads, writes, and sometimes sews in Pittsburgh, PA. Her creative work has appeared in Sou’wester, Thin Air Magazine, Heavy Feather Review, metazen, and others, and she received her MFA in Creative Writing from Chatham University. She is hopelessly obsessed with Star Wars and can always be found with a large mug of tea. She also runs the very small Wild Age Press. Read more at kellylynnthomas.com. More from this author →