For the Guardian, Sam Jordison draws parallels between Don DeLillo’s previous novels (White Noise and Omega) and his most recent novel, Zero K:
In Point Omega, we’re told: “The true life is not reducible to words spoken or written, not by anyone, ever.” In White Noise, meanwhile, Jack Gladney already feels like he is the false character following his name around. Set in this context, DeLillo’s references to his earlier works throughout Zero K become another brilliantly deadpan joke. The book also becomes the place where all those wonderful books meet their end, although I hope not. I hope I’ve got it wrong – like most of us do when first reading late period DeLillo. I hope that there will be more books, both to blast apart this thesis and to intrigue us anew.