Rubens Ghenov’s solo exhibit at the Morgan Lehman Gallery, Accoutrements in Marwa, an Interlude in Silver, has an interesting source of inspiration:
For the past four years, Ghenov’s paintings have been inspired by the unpublished philosophical texts and verse of the late Spanish poet Angelico Morandá. Said to be born in Spain in 1940, the poet’s work presumably remains unpublished because it is yet unwritten: Morandá is fictional, an invention of Rubens Ghenov.
