Despite its uncanny salience in the context of this most recent wave of social injustice and protest, Paul Beatty’s The Sellout was written well before the #BlackLivesMatter movement began. Far from a coincidence, the book’s resonance is a product of the same paradox of time it describes, in which dated social conditions cannot possibly continue to exist, yet do:
All of the characters, regardless of how completely absurd they seem, are reacting to living in a time in which Beatty also resides; one in which he is daring to call something “‘Racism’ in a post-racial world.”
