For the Los Angeles Review of Books, essayist Patrick Madden discusses why he was drawn to the medium and how he finds his wide-ranging subjects:
In terms of art — whether sounded or painted or written — a big part of making it is getting beyond the seeming clarity, or admitting that clarity isn’t possible, seeing things in new ways that give hearers, viewers, readers access to a beauty they’ve not experienced before. Often, with writing, this is beauty that’s been right in front of them, but which they’ve not recognized because of the way their minds organize experience.