Beyond the obvious fact of when it was written or published, what does it mean for literature to be contemporary? Is a work’s relevance determined by market trends and cultural currents? In her monthly advice column for Electric Literature, Elisa Gabbert allays a writer’s temporally induced anxieties:
Magical realism “has been done,” yes, but so has everything else. Dystopia has been done. Vampires have been done. Suburban malaise has been done. They will be done again.
