Obviously the Work of Artists

Director Mark Osborne describes to Vulture how he adapted Antoine de Saint-Exupéry’s The Little Prince into an animated film:

“When you’re reading the book, you’re told over and over again in the text, ‘These drawings aren’t very good,’ and you’re actually being tricked into imagining the reality Saint-Exupéry was trying to depict,” says Osborne.“There’s a charm to those illustrations, and we wanted our stop-motion animation to be charming like they are: handcrafted, obviously the work of artists.”

Check it out on Netflix or select theaters on August 5!

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Stephanie Bento is a writer, classical cellist, and photographer living in Washington, DC. In her writing, she is interested in exploring the musicality of sound and form, and our connection to time and place. Find out more about her creative work at saudadebelle.com, or say hello/bonjour on Twitter @saudadebelle.

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The Rumpus publishes original fiction, poetry, literary humor writing, comics, essays, book reviews, and interviews with authors and artists of all kinds. Our mostly volunteer-run magazine strives to be a platform for risk-taking voices and writing that might not find a home elsewhere. We lift up new voices alongside those of more established writers our readers may already know and love. We want to bring new perspectives into the conversation that will make us all look deeper.

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