For the New Yorker, James Wood praises Joy Williams’s oblique precision:
In Williams’s world, we are all wandering interlopers—adrift, trapped, groundless—looking for visitors’ privileges.
For the New Yorker, James Wood praises Joy Williams’s oblique precision:
In Williams’s world, we are all wandering interlopers—adrift, trapped, groundless—looking for visitors’ privileges.
Roxie Pell is a student at Wesleyan University, where she writes for Wesleying and The Argus and tweets hilarious nuggets of pure wisdom @jonathnfranzen.
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