Supposedly, the most-common question for a writer is , “Where do you get your ideas?” but in my experience, it is actually, “Do you outline?” I don’t outline, but I do fill notebooks with scribbled thoughts about where the story is and where it should be, and over the years I’ve realized that these pages inevitably take the form of a hybrid between potential plot moves and an editorial note on the existing material, as if I’m offering feedback on a student’s manuscript, or another writer’s work, rather than my own. Only, in this case, I’m the student and teacher, and I’m cultivating that “rotten S.O.B.” Blundell describes so well as the artist’s best friend.
Over at Lit Hub, Michael Koryta reflects on his note-taking, editing style, and other writing habits.
