For the New Yorker, Hilton Als reaches across Edward Albee’s long career to take the pulse of the themes and concerns of the late, great playwright. Memory, attachment, cruelty, and Albee’s sense of himself as an outsider all informed the dramas. Als writes, “Part of Albee’s genius was figuring out ways to bring his brilliant gay talk to an audience that, at the time, may not have known what informed his ice-cold torrent of words against coupling, against convention.”
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