“Novels about psychically and sexually burdened paintings have a rich literary pedigree,” writes UNC Professor of Art History Maggie Cao for Public Books. Cao’s essay tackles the subject of forgery, which puts “the intimate, almost magical role that works of art play in people’s emotional and erotic lives” into conversation with modern market forces that have, as of late, transformed art collectors from neurotic worshippers of art to high-tech investors.
Sam Metz is a writer living in Morocco on a Fulbright. His reporting and criticism has appeared or is forthcoming in The Nation, Public Books, Lit Hub and Muftah. He formerly worked on the editorial team at The Nation.
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