In an article for the New Yorker, Richard Brody writes about the newly restored 1967 film by Hans-Jürgen Syberberg, Romy: Anatomy of a Face. The film “offers an intimate view of the actress Romy Schneider, revealing crucial conflicts behind the image of a public figure who loomed large in the German national imagination—and within the art of movies itself” and will be shown during the Museum of Modern Art’s “To Save and Project” film festival this month.
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