Some of the work is simply slowing down visitors and sustaining their attention long enough for the pieces to click together, or for their perspective to shift, or for a light bulb to—literally—go off.
I wanted to write characters who confront their humanity—all of it, but especially the ugly and visceral parts, and get to have the “release” we all deserve.
Others have more lateral complaints after reading / books on plant cultivation and memorizing ideal / temperatures, water sources, and angles of sunlight.