As a novelist, you have to decide, what doesn’t serve the drama at that particular point. Even biographers have had to make serious decisions about what to include.
Suspense, as a genre, can be a Trojan Horse. It’s a strong vehicle that you can hide things within [to] explore ideas about culture, gender, language, or place.
There is an elegant cadence to the prose, a slight twist in language to create a dynamic image of a simple nighttime scene. Two proud firs. The single star as the sky’s beauty mark.