Human and No Less Miraculous: The Craft of Explication in Eugenia Leigh’s Bianca
Within Bianca, the speaker must choose the life she has over and over again, as a way forward—not as a stoic rendition of the eternal return of the same, but as desire.
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Rumpus Articles
The Intimacy of the Short Story: A Conversation with Daphne Kalotay
Compassion is a window, and ideally the reader feels that—even if they’re reading a character whom they don’t necessarily like—this person is a rounded character with good qualities, bad qualities, and in-between qualities.
from The Book of (More) Delights
Anyhow, alas, thanks to my boundless, bottomless, boundaryless ignorance: goddamn and holy shit! Waxing and waning! Have you heard?!?!
Imprisoned by Insomnia: Sleepless by Marie Darrieussecq
Memoir is less common territory for Darrieussecq, but with insomnia, she has found a real-world subject appropriate for her ongoing concerns about making sense of the absurd.
The Turbulent Landscape of Identity: A Conversation with Jinwoo Chong
I’ve always wanted to write plot-driven novels that borrow from a lot of different traditions and institutions. That’s something I like most to read, and whenever I write something, I try to write something that I enjoy reading too.
What to Read When Escaping a Creep
Author Myriam Gurba on some of the books that fueled and shaped her new collection.
Funny Women: Catalog of This Season’s Memoirs by Men
I spilled blood. Which is to say I wrote. Not much. Just, you know, the text you are reading. Right now.
Hope is never wasted: A Conversation with Ashley M. Jones and Rebecca Gayle Howell
I’m sure you’ve seen your own versions of these stories. These truths, these stories, are everywhere. Quiet, but waiting.
Giving Voice to Illness: A Comparative Review of Three Recent Cancer-themed Collections
All three poets contemplate the female body and the voice both literally and metaphorically, appealing to outside powers as they ponder how much a person can bear.
No addition without subtraction: A Conversation with Hilary Leichter
As fiction writers, we’re always saying that what we write is not “real,” but as soon as we write it, it becomes a part of the world.
To Feel Complicit in a Broken System: Geoffrey D. Morrison’s Falling Hour
There is impressive control in the deployment of these mind spirals, with Morrison integrating link after link into a narrative that grows more complex but keeps all its many balls in the air, the kind of juggler who satisfies and surprises with what he is able to toss into the mix.
Everyone sees themselves as the main character: A conversation with Larrison Campbell
When you’re writing about family, there's what’s really relevant and has meaning to you. And then there’s what has meaning to the audience.