...[BERLIN ATOMIZED is] about the internal and external chaos of growing up during globalization in an exploding, rootless world—one in which young people can’t tell who they are.
For me, the process of essay play involves a lot of making things visible that were invisible, which often means circling back to show what else was there.
Sophronius writes from an awareness of Chinese Indonesian marginality, yet the pulse of the collection’s counternarrative coheres around an Indonesian national identity.