The “Loser Edit”
For the New York Times Magazine, Colson Whitehead traces the conception of the “loser edit,” and how it awaits us all. Fifteen years after the emergence of shows like Survivor…
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Alex Norcia
165 posts
Alex Norcia is a writer living in Brooklyn. His work has appeared, or is forthcoming, in VICE, The Millions, McSweeney's Internet Tendency, Electric Literature, Word Riot, and the Los Angeles Review of Books, among others. He is an editor-at-large at The Offing.
The Fossils of Storytelling
For the New Yorker, John McPhee writes about our dwindling frames of references: Frames of reference are like the constellation of lights, some of them blinking, on an airliner descending toward an…
Life Behind the Copy Desk
Reviewing Mary Norris’s Between You & Me: Confessions of a Comma Queen for The New Republic, Julia Holmes reflects on her own experience as a copy editor, as well as…
The Rodney Dangerfield of Literature
For The Daily Beast, Bill Morris has some theories about why Jim Harrison is an underrated writer.
The Roots of the Paperback
“Gutenberg may have invented the movable-type printing press,” but the father of the paperback is a different man: Aldus Manutius. As reported in the New York Times, an exhibition opened…
My Saga, Part I
Karl Ove Knausgaard took an American road trip. Here’s his first installment at the New York Times Magazine.
The GIF Novel
For Vice, Blake Butler interviews Dennis Cooper about his new Internet novel composed “entirely of terrifying GIFs.”
Teju Cole: On Photography
Among one of the many new aspects of the New York Times Magazine’s redesign is a cast of four columnists, each featured for one week during the month. Here’s Teju…
The Man Who Wrote About Goats
Ever wondered how the Icelandic goats in Games of Thrones almost went extinct? Justin Taylor did, and he explores the answer at Pacific Standard.
The Day Ray Bradbury’s House Died
Noel Anenberg reports about the destruction of Ray Bradbury’s California home for the Los Angeles Review of Books.
Mapping the Imaginary
For The Millions, Hannah Gersen shares the visual aid she used to construct her novel and asks other writers about their own: I got curious about the other visual aids…