Anisse Gross is a writer, editor, artist and question asker living in San Francisco. Her work has been featured in The New Yorker, The Believer, Lucky Peach, Buzzfeed, Brooklyn Quarterly, The Rumpus, and elsewhere. She openly welcomes correspondence, friendship, surprises and paid work.
I wanted to present three complicated portraits that raise important questions, not just about what it means to be a porn performer, but what it means to be a sexually open woman
Malick seems to be interested in what is outside and underneath and around the framework of our lives. He's not interested in the stories we tell as much as the moments that cause us to throw our hands up into the air.
Today we’re running five essays on Tarantino’s latest film, Django Unchained. The intention of running so many was not to give Django a disproportionate amount of coverage, but to reflect the controversy and conversation the…
The problem with Tarantino’s Django Unchained is that it’s a very good movie. Wildly entertaining, expertly made, and very fun to watch. I loved almost every second of the watching…
I’m going to go ahead and spoil the entire plot of Bart Layton’s documentary The Imposter, but only because the film does in its first opening minutes. Why? Because the…
Andrew McCarthy, likely best known to you as a member of the iconic Brat Pack, with his roles in Pretty in Pink and St. Elmo’s Fire, has forged a second career as a travel writer. Out with a new memoir, The Longest Way Home, about traveling as a way to settle down, McCarthy touches on issues of fatherhood and commitment.
Francis Ford Coppola’s latest film TWIXT opens in San Francisco this Friday, August 10th. Written, directed and produced by Coppola, this film represents his new code of personal filmmaking ethics:…
Moonrise Kingdom is set in 1965 on an isolated New England island, at the waning end of summer, which as it turns out is the perfect setting for a Wes…