Asya Partan

Sunder’s impressionistic lens also reveals that, perhaps, only in stepping back from intense initiations into new spaces can we see them clearly.

Navalny’s tragicomic memoir, which one might also categorize as his last call to action, accomplishes the feat of keeping the reader so ensconced that they forget the person capturing every ounce of their attention, intellect, and sympathy is no longer…