David Biespiel is a poet, literary critic, memoirist, and contributing writer at American Poetry Review, New Republic, New York Times, Poetry, Politico, The Rumpus, and Slate, among other publications. He is the author of numerous books, most recently The Education of a Young Poet, which was selected a Best Books for Writers by Poets & Writers, A Long High Whistle, which received the 2016 Oregon Book Award for General Nonfiction, and The Book of Men and Women, which was chosen for Best Books of the Year by the Poetry Foundation and received the 2011 Oregon Book Award for Poetry.
It was as if he understood that the authentic must begin in the voice. And through the texture of the voice—its moral and psychological claims—sensory details emerge with absolute authority.
But to become a writer I needed at least to learn about my own superstitions. I needed space in the house to sketch with words. I needed to commit heresies. And those acts had to feel pleasurable.
So much of politics is symbolic speech in the service of the syncopations of the lives we actually live. But the ways we gather to vote is with our bodies. It’s the dance that goes along with those rhythms.
One of the thrills of being a writer is becoming aware of the wildness that percolates inside of you. If you’ve learned to listen, you’re able to hear it.