The New New Testament
For NPR Books, Craig Morgan Teicher finds a fantastic reimagining of the black, Southern, gay experience in his review of Jericho Brown’s The New Testament. Drawing from the gospels, as…
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Dinah Fay
93 posts
Dinah Fay is a poet, copywriter, and social media maven living in Brooklyn. She is the co-host of the Brick City Speaks reading series in Newark, where she is pursuing an MFA in writing from Rutgers University.
Bam! Pow! Laureate!
Joining the distinguished poets and children’s authors of the realm, Dave Gibbons is set to become the UK’s first Comics Laureate. In the Guardian, the artist behind the Watchmen comics shares…
A Blurb of Beauty
At Book Riot, Amanda Diehl brings an optimistic anecdote to the often-bleak conversation on the value of book blurbs (typically rife with accusations of corporatism, cronyism, and empty praise). If…
A Stiletto Between the Ribs
At the New York Times, Margalit Fox shares a moving tribute to poet Carolyn Kizer, who passed away last Thursday. Characterized by impeccably crafted sound and meter, and an understated warmth,…
Vets in Verse
In addition to hosting the usual lit world all-stars at the biannual Dodge Poetry Festival next weekend, the NJ Performing Arts Center in Newark will host a reading from a…
A Poetics of “Radical Caring”
Reviewing Ann Lauterbach’s new collection of poems, Under the Sign, Jo Ann Clark argues for a new poetics of “radical caring.” The collection shows Lauterbach struggling with the demons of…
From Papyrus to PDF
Mike Kelley delivers a useful overview of the outlook for preservation of e-books for Publishers Weekly. In addition to the upkeep necessary to combat digital decay, which is at least…
Witch Hunts, Past and Present
In the new Penguin Book of Witches, Katherine Howe assembles documents from three centuries of witch hunts—including arrest warrants, trial transcripts, and even apologies from a judge and jury in…
Take a Stab: An Essay
In anticipation of the Best American Essays 2014, which will come out later this week from Houghton Mifflin, the New Yorker brings us an adaptation of John Jeremiah Sullivan’s introduction…
