Guia Cortassa was born, lives, and works in Milan, Italy. After working as a Contemporary Art curator, she went back to writing. She is a contributing editor for Ondarock and her writing has appeared on Rivista Studio, Flair and the Quietus. She compulsively tweets @gcmorvern.
Great novels also experiment and innovate, but a short story can make a never-before-seen formal leap and then peace out, before you’re even sure what’s happened. At Electric Literature, Rebecca…
Keith Waldrop is a quiet major poet, a major poet of quiet. His accomplishment is difficult to describe because his work refuses, in Bartleby-like fashion, the twin traps of impassivity…
While Lani’s sole purpose in the book seemed to be a genderqueer Jiminy Cricket, pulling the wool back from Claire’s incredibly naïve eyes, they allowed me to look past the…
She’s black, but not local, this new colleague who wears her boots and jeans and scarf with a bohemian aplomb that causes the others to ask her where she shops.…
I believe in an activated, alkalized, adaptogenic, artisanal America, and I’m glad that I can count on your vote in this, that most authentic of experiences, the American Presidential Primary.…
If you’re planning on submitting your manuscript to a literary agency, you might want to read Marcy Campbell’s updated guidelines over at Electric Literature first.
These are not stories about the weather, these are stories about life and death. Over at the Ploughshares blog, E.V. De Cleyre considers the importance of weather in the works of…
For a black woman in a white world, a conversation with the self is crucial: for when she walks through that often-unwelcoming world she is subjected to confining perceptions of…