Guia Cortassa was born, lives, and works in Milan, Italy. After working as a Contemporary Art curator, she went back to writing. She is a contributing editor for Ondarock and her writing has appeared on Rivista Studio, Flair and the Quietus. She compulsively tweets @gcmorvern.
No, I’m thinking of mythology, that America of Madison Avenue and Sunset Boulevard, the Alamo and Antietam. In this spiritual landscape, Indiana isn’t misunderstood. It’s ignored. Over at Electric Literature,…
All of which adds up to a place that produces writers the way France produces cheese — prodigiously, and with world-class excellence — a place that calls on its writers’…
Yet the more I imagined this scene, the more I had read between the novels of Bukowski’s lowly dredge through life and Dick’s mind-bending canon of science fiction, I began…
That night, I found myself seriously questioning this assumption I’d held since childhood: “You have to try to forget that while you’re reading.” You do? Why? And, more to the…
Over at the New York Times, Rachel Kaadzi Ghansah profiles Toni Morrison in a tremendous essay: Morrison is a woman of guardrails and many boundaries; she keeps them up in…
All we knew was that Casper, with his genius IQ, his measured laugh, his wicked weltanschauung, was somebody really, really interesting to hang out with. A neighborhood kid like anybody…
In a world where the selfie has become our dominant art form, tautological phrases like “You do you” and its tribe provide a philosophical scaffolding for our ever-evolving, ever more…
Well, one of things we have in common as writers is that we don’t work too much from personal experience. So, I feel like there’s a constant desire for readers…
Where am I from, ask the Arabs: “Woher kommen Sie, Sai-ed Maruan,” and I answer that I’m from Germany, but that I’m also from Palestine. Had I ever been to…