Guia Cortassa was born, lives, and works in Milan, Italy. After working as a Contemporary Art curator, she went back to writing. She is a contributing editor for Ondarock and her writing has appeared on Rivista Studio, Flair and the Quietus. She compulsively tweets @gcmorvern.
You can find forever-young baby boomer grandmas falling in love at 60 and novels about spirited older women finding self-fulfillment, but novels about grandparents’ relationships with their grandchildren seem in…
Once the story was actually finished, and there was no money to be made, all ambition tied to it evaporated, and now I’m left pretty much where I began. Ruthlessly…
Young Brazilian novelist Daniel Galera has just been translated into English for the first time. Over at the Globe and Mail, Chris Frey wonders if Blood-Drenched Beard will be a breakout moment for…
Book reviewing is still a heavily debated topic within the literary world. This week, the New York Times’s Bookends column has James Parker and Anna Holmes answering the question, “Is book…
Here’s why I think that Philip Roth and Cormac McCarthy are opposites: Roth is a builder, and McCarthy is a destroyer. Over at the Ploughshares blog, Lily Meyerin tells us why…
Three Percent, a resource for international literature at the University of Rochester, derives its name from the fact that about 3 percent of all the books published in the U.S.…
Here’s an author who has staunchly refused interviews and publicity since 1960, who hasn’t breathed a word about her interest in publishing another book to either family or friends, but…
The more all-encompassing art is becoming, the more we need criticism. The more books there are, the hungrier we are for a way to navigate the field. The more of…
So now, 125 years after Kreutzer’s 1889 publication, Tolstoy’s wife gets to have her say. Sofiya Tolstoy, indignant about the violent and misogynistic plot of her husband’s The Kreutzer Sonata, wrote a…