Guia Cortassa was born, lives, and works in Milan, Italy. After working as a Contemporary Art curator, she went back to writing. She is a contributing editor for Ondarock and her writing has appeared on Rivista Studio, Flair and the Quietus. She compulsively tweets @gcmorvern.
Plath chose to end her Ariel with four of the five-poem sequence Hughes buried in the middle, the so-called “bee poems.” When Sylvia Plath died, her husband Ted Hughes rearranged…
YA author Kathleen Hale became obsessed over a negative Goodreads review of her first novel, to the point of finding the reviewer’s address and deciding to stalk her in real…
My teacher’s point was, “Don’t write about race. It’s not worth it. It’s the third rail.” Over at Guernica, Grace Bello interviews Jess Row about his new book, Your Face In…
Rumpus columnist Sari Botton has just published a new collection of essays, Never Can Say Goodbye: Writers on Their Unshakable Love for New York. Over at Slate, you can read Elliott Kalan’s…
While writing and text are often utilized in visual arts, peeking out in pictures or art installations, within the literary world photos and images are not always as welcome. Over…
Tanuja Desai Hidier’s 2002 Born Confused was the first-ever South Asian American coming-of-age novel. At The Toast, she talks with Safy Hallan Farah about her debut book, its new sequel Bombay…
[O]ne of the benefits of not having studied literature in a traditional sense is that my relationship with the canon is not, um, a tight relationship, not an embrace. Daniel…
George R.R. Martin’s A Song of Ice and Fire isn’t native advertising for Sparkling ICE and Fireball Cinnamon Whiskey… but a brand manager can dream. Over at Electric Literature, Lincoln Michel wonders…
A feminist novel, then, is one that not only deals explicitly with the stories and thereby the lives of women; it is also a novel that illuminates some aspect of…