Jeremy Hatch is a writer, musician, and professional bookseller leading a cheerful, aimless life in San Francisco. He is the Junior Literary Editor of the Rumpus and has a blog which he updates once in a while.
“Fitzgerald, to put it mildly, did not impress the studio bosses. The rap against him was that he couldn’t make the shift from words on the page to images on…
“Thin as legend claims, the models streamed into view. […] There was a bit of everything going on. The models appeared, variously, as flappers, can-can dancers, sprites, zombies — you…
France has a law in place, established in 1981, that requires all booksellers in the country — big-box stores, independent stores, online retailers — to sell a given book at…
Curtis White’s essay in the new Tin House, “A Good Without Light,” contemplates the dark side of sustainability. In a word, he argues that sustainability, as a philosophy, is a…
Here’s some weekend reading: Sigrid Nunez has written a beautiful memoir of Susan Sontag in the latest issue of Tin House. (The text is not available online, but I highly…
Through the end of November, Hulu is hosting Sergio Leone’s Dollars Trilogy for free viewing: A Fistful of Dollars, For a Few Dollars More, and — the greatest, obviously —…
Brian Dillon at the Guardian reviews a London exhibition, Dark Monarch, that traces imagery of the occult through British art, and Dillon devotes his review to exploring one motif prevalent…
Horacio Castellanos Moya, author of Senselessness and eight other books, has written a piece about the “construction of the ‘Bolaño myth’ in the United States” that contrasts this myth with the man…
Praveen Mavdan and Christin Evans, owners for the past two years of the Booksmith in San Francisco, are writing a series of weekly articles on the Huffington Post about their…
Ed Ruscha, photographer of twenty-six affectless Standard gas stations in LA, Every Building on the Sunset Strip, and painter of words floating in space, with or without a setting, is…