10/40/70 #11: Mildred Pierce
This ongoing experiment in film writing freezes a film at 10, 40, and 70 minutes, and keeps the commentary as close to those frames as possible. This week, I examine…
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Nicholas Rombes
58 posts
Kathryn A. Higgins is writer and mom living with her two children. She has a B.A. in English Lit from U.C. Berkeley and an MFA in Writing from Sarah Lawrence College. She's recently published an ebook, Snide Remarks in Sotto Voce, a literary skewering of modern communication and lifestyle, and includes 47 of Kathryn Higgins's humorous writings, most of which have been previously published in literary journals, magazines, and humor webzines. Imagine your most earnest self-help article, career-guidance pamphlet, or villanelle pasted on the wall and punctured with arrows dipped in equal parts humor and snark. You can download it here.
10/40/70 #9: The Descent
This ongoing experiment in film writing freezes a film at 10, 40, and 70 minutes, and keeps the commentary as close to those frames as possible. This week, I examine…
10/40/70 #8: The Foreigner
This ongoing experiment in film writing freezes a film at 10, 40, and 70 minutes, and keeps the commentary as close to those frames as possible. This week, I examine…
10/40/70 #7: New Moon, Twin Peaks
This ongoing experiment in film writing freezes a film at 10, 40, and 70 minutes, and keeps the commentary as close to those frames as possible. This week, I examine…
10/40/70 #6: Punishment Park
This column is an experiment in writing about film: what if, instead of freely choosing which parts of the film to address, I select three different, arbitrary time codes (in this…
10/40/70 #5: Cure
This column is an experiment in writing about film: what if, instead of freely choosing which parts of the film to address, I select three different, arbitrary time codes (in this…
10/40/70 #4: Cleo from 5 to 7
This column is an experiment in writing about film: what if, instead of freely choosing which parts of the film to address, I select three different, arbitrary time codes (in this…
10/40/70 #3: Raising Cain
This column is an experiment in writing about film: what if, instead of freely choosing which parts of the film to address, I select three different, arbitrary time codes (in this…
10/40/70 #2: Out of the Past
This column is an experiment in writing about film: what if, instead of freely choosing which parts of the film to address, I select three different, arbitrary time codes (in this…
10/40/70 #1: Starship Troopers
This column is an experiment in writing about film: what if, instead of freely choosing which parts of the film to address, I select three different, arbitrary time codes (in this…