The Last Book of Poems I Loved: Louise Glück’s Winter Recipes from the Collective
"I was glad at least to have heard it."
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Wendy Willis
8 posts
Kelsey Norris is a writer and editor from Alabama. Her work has been published in the Oxford American, The Georgia Review, and The Offing. She was a 2020 Tin House Summer Workshop attendee, and is an alumni of the MFA program at Vanderbilt University. She is currently at work on a story collection. Find more of her work at kelseynorris.com.
Rumpus Exclusive: “First Amendment (in the moment, grotesquely exotic)”
I am not certain where I was when I first heard about the marketplace of ideas.
Peeping under the Goddamn Door: The Price of Empathy in S-Town
[F]or the first time, I really see the tradeoffs between privacy and honest-to-god, up-close empathy.
Reckoning with the Bros: Trump, Bly, and Swimming in the Sea of Grief
There are dark forces roiling beneath the surface of American life.
I Hear the Place That Can’t Be Named
It is remembering and loving anyway—not forgetting—that binds us even if the recollections are absurd, undignified, cruel, or humiliating.
Eat Your Peas
Having some novelist (or poet or playwright) assert an individual consciousness—in and of itself— is a profoundly threatening act if you’re a dictator.
Where Are the Trees Going? by Vénus Khoury-Ghata
Wendy Willis reviews Marilyn Hacker's translation of Vénus Khoury-Ghata's Where Are the Trees Going?" today in Rumpus Poetry.
Pictograph by Melissa Kwasny
Wendy Willis reviews Melissa Kwasny's Pictograph today in Rumpus Poetry.