Kristen Millares Young is a book critic, essayist, and author of the novel Subduction, named a staff pick by The Paris Review. Winner of Nautilus and IPPY awards, Subduction was a finalist for two International Latino Book Awards and Foreword Indies Book of the Year. Her essays and reviews appear in the Washington Post, the Guardian, Literary Hub, PANK Magazine, and the anthologies Advanced Creative Nonfiction, Latina Outsiders, and Alone Together. A former Hugo House Prose Writer-in-Residence, she is the editor of Seismic, a Washington State Book Award finalist. Kristen was the researcher for the New York Times team that produced “Snow Fall,” which won a Pulitzer Prize. She was the 2023 Distinguished Visiting Writer for Seattle University. @kristenmillares
For the New York Times Magazine, Colson Whitehead traces the conception of the “loser edit,” and how it awaits us all. Fifteen years after the emergence of shows like Survivor…
For the New Yorker, John McPhee writes about our dwindling frames of references: Frames of reference are like the constellation of lights, some of them blinking, on an airliner descending toward an…
Reviewing Mary Norris’s Between You & Me: Confessions of a Comma Queen for The New Republic, Julia Holmes reflects on her own experience as a copy editor, as well as…
“Gutenberg may have invented the movable-type printing press,” but the father of the paperback is a different man: Aldus Manutius. As reported in the New York Times, an exhibition opened…
Among one of the many new aspects of the New York Times Magazine’s redesign is a cast of four columnists, each featured for one week during the month. Here’s Teju…
For The Millions, Hannah Gersen shares the visual aid she used to construct her novel and asks other writers about their own: I got curious about the other visual aids…