Lauren O'Neal is an MFA student at San Francisco State University. Her writing has appeared in publications like Slate, The New Inquiry, and The Hairpin. You can follow her on Twitter at @laureneoneal.
The silver lining of the publishing industry’s turmoil is that independent small presses are increasingly able to bring readers unique and fascinating books. Flavorwire’s Jason Diamond has collected twenty-five of…
In a nation as solipsistic as the US, we don’t hear much about politics in other countries. This is doubly true when it comes to woman-centered movements, and triply true…
Either in content or in style, in subject matter or in rhetorical approach, fiction that is too much like other fiction is bad by definition. However paradoxical it sounds, good…
Chris was also a transfer student but from the other direction, further north, one of the towns in that cluster—El Sobrante, Crockett, Port Costa—where the Bay waters tentacle and the…
Did you like the super hot prof-on-student word sex between Steve Almond and Kelly Luce from a few days ago? Then you might also enjoy words from Callie Collins and…
If you think of Gordon Lish, now best known for editing Raymond Carver’s work, as an “eccentric editor; tyrannical teacher; notorious provocateur,” you may need to take a second look.…
Want to get out of the slush pile and onto the pages of your favorite publications? Rumpus contributor Melissa Chadburn has some seriously wise words for you over at her…
Crossing Over, a documentary by director Isabel Castro, follows three transgender women—all of them undocumented Mexican immigrants—as they seek asylum in the US. “Although this started as a project to…
In “honor” of David Gilmour’s comments to a Hazlitt interviewer about how he refused to teach books by female authors, Rumpus contributor Michelle Dean rounded up some other literary men’s contributions…
Long-running, writer-driven shows have overtaken American cinema as the most prestigious strand of American visual culture, revealing most of even the supposedly best American movies as risk-averse, unimaginative, and hopelessly bound…